The title is not exactly true. This series was shot all through November, December and January. I worked in black and white because I think that, whereas a colour photograph is often real and immersive, a monochrome frame brings out a distinct otherness. It’s still real, but it is more honest that it is a representation of the real. You can be drawn in, but never get too close, as though a sheen has been drawn across reality. December represents the end of the year, but also the end of a lot of other things that are important to me. I see it as perfect that I decided long before, unaware, to use this format. December was some kind of full stop, or maybe an ellipsis.