I know a place where you can feel completely away from the world. In the middle of the woods, and far off the beaten track is a thicket of lush Rhododendron leaves.
Completely surrounded by vegetation, no-one knew I was there. The trees above were swaying gently in the breeze, but that was the only sound. The fresh scent of damp wood and earth permeated through the place. I had wanted for a long time to explore here; to carefully step right into the centre.
As our respective terms at university reach completion, a close group of friends and I celebrated by having a picnic in the fields.
All of us lived together in our first year in hall’s, and this place in a field was our secret gathering spot then, so it seemed fitting to come here once more. We were blessed with such a sunny, clear afternoon. Laughing with Nat, Phyl, Axl and Madi (who you may remember from a previous blog post) was such a pleasure. We had a blast telling stories, filling in the gaps since we were last together.
We brought Axl’s head dressed Penguin along too, which is… a long story. You should really ask Axl about that!
I had the incredible opportunity to shoot pictures at Bath Spa University’s Fashion Design Course graduate show. It was held at the Assembly Rooms in Bath.
I’ve never done anything of this kind before, and though I prepared beforehand, I knew this would be a unique and challenging experience. As someone with a ‘low key’ sartorial passion, I found out about this and immediately knew I wanted to go.
I love shooting portraits with people, but taking pictures here would be on a whole different level. It was one of the most intense and exhilarating things I’ve done yet; a total cacophony of sounds and lights. Once the fashion show started, everything moved seamlessly and relentlessly forward and I loved every moment of it.
I wish to extend particular thanks to Louise Pickles (head of BSU Fashion Design course) who graciously allowed me to be there, as well as to Simon Armstrong (the commissioned fashion photographer) who let me work right alongside him. The show was a spectacle to behold.
London is many things, light and dark. Perhaps nowhere else in England embodies the intersection between chaotic creation and destruction like this monolithic metropolis, that 8.6 million people call home.
There is something foreboding about London; to feel a little intimidated by ‘The Big Smoke’ is a sign of wisdom. The idea of London as the epicentre of historic dominion and oppression remains. You can very much feel the ghost of the terror and darkness that once inhabited the streets; lasting darkness of the kind immortalised in the poetry of William Blake. And everywhere little reminders lay, like the hopeless inequality which hangs heavy and leaden over this place. I have resisted London, although I cannot deny the cultural weight which is here.
In a city of such enormous contrast and energy, it felt right to take photos in black and white. My close friend William and I packed our bags, and set off into the mass.
I have been going to Bristol infrequently for some time now, and every time I do it is a different experience. There are so many areas, and hidden places to find. Without fail, it is an exciting place to be. My good friend Aimee and I wanted to take a day to dreamily delve into this varied city.
I had really wanted to go back to Cuckmere Haven, having been there several times before. There is definitely something special about the place. Located somewhere between the towns of Eastbourne and Seaford, this is where Sussex runs into the ocean.
The river Cuckmere flows in sinews through the grassy flood plain, and isolates green islets, dotted all over with sheep. There are footpaths which lead down and around it, and out to the sea. A pebble beach gazes across at the chalk cliffs called the Seven Sisters.
I took some photos while I wandered about the place.
The title is not exactly true. This series was shot all through November, December and January. I worked in black and white because I think that, whereas a colour photograph is often real and immersive, a monochrome frame brings out a distinct otherness. It’s still real, but it is more honest that it is a representation of the real. You can be drawn in, but never get too close, as though a sheen has been drawn across reality. December represents the end of the year, but also the end of a lot of other things that are important to me. I see it as perfect that I decided long before, unaware, to use this format. December was some kind of full stop, or maybe an ellipsis.